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PreSonus Eris E4.5 High Definition Active Studio Monitor - Pair

In Stock

PreSonus Eris E4.5 High Definition Active Studio Monitor - Pair

In Stock

When you’re serious about creating music you need monitor speakers that will reveal all of the flaws in your tracks and mixes. Eris professional studio monitors deliver the truth thanks to very accurate response tight bass and clear upper...
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Rs. 19,800

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When you’re serious about creating music, you need monitor speakers that will reveal all of the flaws in your tracks and mixes. Eris professional studio monitors deliver the truth, thanks to very accurate response, tight bass, and clear upper end.

Cheap computer speakers and home-stereo speakers are designed to make music sound good and hide the flaws, while most low-cost studio monitors are hyped to sound good in the store showroom. If you mix on those speakers, you won’t hear problems that can show up in your final production.

Not so with PreSonus Eris-series active studio monitors. Thanks to well-designed Kevlar® low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

As you expect from PreSonus, they use quality components, are well constructed, and deliver professional audio quality. They’re lightweight and compact and look as professional as they sound.

But what really sets them apart from comparably priced systems are pro features such as user controls that allow you to tailor the speakers’ response to your needs.

Yet Eris-series speakers are ultra-affordable, making them a terrific value. And with three models, you can easily find the Eris monitor that best suits your studio needs.


You’re in Control!
It’s easy to customize Eris’ sound for your room and type of music.


Today’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive user controls not usually found in their price class.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.
The Acoustic Space Control

All Eris speakers provide three EQ controls in their Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the Eris with a subwoofer.

In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll off those lows, set it to 0 dB.

This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.

Safety Matters
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these.

It would be wonderful if recording studios and equipment were immune from radio-frequency interference, electrical problems, heat, and so on. Since that’s not the case, we’ve protected Eris monitors from the most common hazards.

RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you’ve ever heard a radio broadcast unexpectedly coming out of a guitar amp, that’s the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer’s performance.

Finally, Eris’ power amplifiers have a “soft startup” so that you don’t get damaging pops in the speakers when you power them up.


Making Connections.
Eris monitors give you three different types of inputs so you can use them with a wide variety of audio sources.

With three different types of audio inputs, it’s easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source.

The Eris E5 and E8 provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path.

With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼” TS outputs, simply use a ¼”-to-RCA adapter or adapter cable.)

The E4.5 has balanced ¼” TRS and unbalanced RCA inputs, as well as unbalanced 1/8” inputs for your smartphone or MP3 player, giving you all the flexibility you need when replacing computer speakers or those old studio monitors that have misled your ears for the last time.

Take a moment, if you will, to consider the E4.5’s balanced TRS inputs; balanced inputs help you minimize noise—a pro feature you won’t find on competing speakers in this class.

Components and construction

  • 4.5-inch Kevlar® low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • Front-firing acoustic port for superior bass-frequency reproduction
  • Optimized, resonance-suppressing internal bracing
  • 100 dB maximum continuous SPL

User controls

  • HF Driver Adjust (±6 dB, continuously variable)
  • Midrange Driver Adjust (±6 dB, continuously variable)
  • Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
  • Highpass filter (Off, 80 Hz, 100 Hz)

Power and safety

  • 50 watt Class AB biamplification
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Amplifier “soft start” feature eliminates popping on power-up
  • Internal power supply with IEC connector
  • Power switch with on/off LED

Inputs and outputs

  • Balanced ¼-inch TRS and unbalanced 1/8-inch TS, RCA inputs
  • 1/8-inch stereo headphone output
Inputs
  1- Stereo 1/8"
  2- Balanced ¼” TRS
  2- Unbalanced RCA
Performance
Frequency Response 70 Hz - 20 kHz
Crossover Frequency 2.8 kHz
LF Amplifier Power 25W/speaker 
HF Amplifier Power (not biamped)
Peak SPL (@ 1 meter) 100 dB
LF Driver 4.5" Kevlar®
HF Driver 1” silk dome
Input Impedance 10 kΩ
User Controls
Volume Range A-type taper
MF Control Variable (-6 to +6 dB)
HF Control Variable (-6 to +6 dB)
Low Cut Flat, 80 Hz, 100 Hz
Acoustic Space Flat, -2 dB, -4 dB
Protection
  RF interference
  Output-current limiting
  Over-temperature
  Turn-on/off transient
  Subsonic filter
  External mains fuse
Power
  100-120V ~50/60 Hz or 220-240V ~50/60 Hz
Cabinet
  Vinyl-laminated, medium-density fiberboard
Physical
Width 6.42" (163 mm)
Depth 7.09" (180 mm)
Height 9.45" (241 mm)
Weight 13 lb. (5.9 kg)


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